{"title":"Sale","description":"\u003cp\u003eBuy any 2 items in the shop and pick one of these CDs for free.\u003c\/p\u003e\n\u003ch5\u003eJust add the free item from this selection to your cart. If you have two other items in your cart, this one will automatically be made free of charge.\u003c\/h5\u003e","products":[{"product_id":"bfam01","title":"The Black Family","description":"\u003ch6\u003e1986 - DARA CD 023\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dara Records","offers":[{"title":"Unsigned","offer_id":42304888242388,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304888209620,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/theblackfamilyfrontcover.jpg?v=1643360683"},{"product_id":"wh01","title":"A Woman's Heart","description":"\u003ch6\u003e1992 - DARTE CD 158\u003c\/h6\u003e\n\u003cp\u003e \u003cspan class=\"s1\"\u003eThis is the first A Woman's Heart album that was released In August 1992. No one could have anticipated its astounding success, the careers it helped to re-affirm and the solo careers it launched. The title track Only a Woman's Heart. written by Eleanor McEvoy and recorded with Mary Black, was the outstanding \u003c\/span\u003e\u003cspan class=\"s1\"\u003eradio hit of that year. The album was in the charts for over a year, was No. 1 for more than 3 months and went on to become the biggest selling indigenous Irish album of all time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis phenomenally successful album features a select congregation - Dolores Keane, Mary Black, Eleanor McEvoy, Maura O'Connell and Frances Black in the company of sole instrumentalist Sharon Shannon, accordion maestro beyond compare. \u003c\/span\u003e\u003c\/p\u003e","brand":"Dara Records","offers":[{"title":"Unsigned","offer_id":42304889913556,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304889880788,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/awomansheartfrontcover.jpg?v=1643460375"},{"product_id":"wh02","title":"A Woman's Heart 2","description":"\u003ch6\u003e1994 - DARA CD 63\u003c\/h6\u003e\n\u003cp\u003e \u003cspan class=\"s1\"\u003eThis album burst on to the stage in 1994, 2 years after the phenomenal success of the first A Woman's Heart album. 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There’s been a lot of water under the bridge since then and how time flies when you’re busy and having a good time! As it’s always been one of my favourite albums I felt that it deserved to be revisited to celebrate it's 30th anniversary. With that in mind we sent the old 24 track tapes to be baked (a process to preserve them) allowing us to do a complete remix and remaster the album.\u003cbr\u003e\u003cbr\u003eWe enlisted the services of my great friend and sound engineer Billy Robinson to do the job and I’m delighted with the outcome - it sounds great, even if I say so myself! We added a few bits where needed and I’m happy to see it being released on vinyl again.\u003cbr\u003e\u003cbr\u003eIt’s been a nice journey revisiting that time and remembering the sights and sounds of life back then.\u003cbr\u003e\u003cbr\u003eAs we listened closely to some of the tracks, the beautiful voice of Mandy Murphy came through and I felt so sad that she passed away, so young, last year. I wish to dedicate this release to her memory.\"\u003cbr\u003e\u003cbr\u003eMary","brand":"3ú","offers":[{"title":"Unsigned","offer_id":42304890634452,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304890601684,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/bttigd30cdfront.jpg?v=1643050529"},{"product_id":"mbsingsmac","title":"Mary Black Sings Jimmy MacCarthy","description":"\u003ch6\u003e2017 - TUCD 044\u003c\/h6\u003e\n\u003cp\u003eA collection of some of the best loved Jimmy MacCarthy songs that Mary recorded over the years, extended with four new tracks and a duet with Jimmy on \"As I Leave Behind Neidin\".\u003c\/p\u003e","brand":"3ú","offers":[{"title":"Unsigned","offer_id":42304890732756,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304890699988,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/singsjimmy_frontcover_dc9f9cbc-f26d-400b-9149-5ee565eecb27.jpg?v=1644422021"},{"product_id":"mborchestrated","title":"Orchestrated","description":"\u003ch6\u003e2019 - TUCD 050\u003c\/h6\u003e\n\u003cp\u003eA recording of Mary's favourite songs orchestrated with the RTÉ NSO conducted by Brian Byrne at the National Concert Hall.\u003c\/p\u003e\n\u003cp\u003e\"It's hard to describe the emotion I felt when I sat in the National Concert Hall and listened to the RTE National Symphony Orchestra play on my songs. \u003c\/p\u003e\n\u003cp\u003eIt was as if my life's work made total sense in that joyous moment and I felt proud and honoured.\"\u003c\/p\u003e\n\u003cp\u003eMary\u003c\/p\u003e","brand":"3ú","offers":[{"title":"Unsigned","offer_id":42304890831060,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304890798292,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/orchestrated_frontcover.jpg?v=1644422122"},{"product_id":"mbalbum01","title":"Mary Black","description":"\u003ch6\u003e1983 - DARACD 002\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dara Records","offers":[{"title":"Unsigned","offer_id":42304919240916,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304919273684,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/maryblackfrontcover.jpg?v=1643365996"},{"product_id":"mbalbum03","title":"Without The Fanfare","description":"\u003ch6\u003e1985 - DARACD 016\u003c\/h6\u003e\n\u003cp\u003eThis was the album that heralded Mary's transition from singing purely traditional and roots-based songs to tackling a broader range of material. A variety of fresh influences started to colour the songs she chose and the way she performed them. It was also the first time that she recorded with what she now calls her big sound, the full electric-acoustic band that backs her on tour and in the studio.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album opens with There's A Train That Leaves Tonight an atmospheric slow burner whose skeletal arrangement leaves her voice plenty of room in which to weave and soar. Declan Sinnott's subtle guitar chops and Carl Geraghty's alto sax add a soulful touch to this moving ballad. State Of Heart, which follows, keeps the tempo in low gear but sees descreet shades of Mary's jazz and pop sensibilities adding colourful touches to the vocal line. Nightime also starts off slowly but the rhythm soon shifts up a notch to reflect the lyric's talk of dancing girls and the light headedness that accompanies carefree falling in love. It's an unashamedly light hearted celebration of romance that majors on fun and leaves profundity taking a rain check.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Crow On The Cradle adopts a more serious stance and drifts back into a traditional musical vein, its haunting tempo and delicate voice and guitar arrangement almost disguising the song's emotional power. Donagh Long's Greatest Dream uncoils slowly into a chorus that gives Mary's voice the change to deliver the killer punch that the song's menacing bass line threatens from the outset is waiting to appear.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe imagery of The Water Is Wide acts as a literal introduction to one of the most dramatic and powerful songs that Mary's live audiences will witness, Ellis Island. This is the story of Irish emigrants leaving their homeland in search of work in America, knowing that they'll never see Ireland or their loved ones again. On disc this song is heart-stopping, beautiful and disturbing, but live it's positively discomforting. Another singer might easily destroy its integrity and intensity with sentiment but Mary's delivery is steeped in genuine emotion and pain. Once you've heard her sing this song the memory of the performance and the anguish of the tale will never leave you.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album closes with Going Gone. The simplicity of the arrangements that have preceded this number gives way to some subtle sophistication, with Brian Calnan's percussion becoming increasingly intricate and off beat behind Mary's double-tracked vocals. It gives a timely reminder that she and the band are moving forward into a more diverse brand of music making.\u003c\/p\u003e\n\u003ch5\u003eBy Malcolm Steward\u003c\/h5\u003e\n\u003ch5\u003e\u003cem\u003eMalcolm Steward is an award-winning British hi-fi journalist, music critic and self-professed champion of home-grown musical talent. 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There are no bloated arrangements or exaggerated vocal mannerisms to deliver an immediate rush. Instead, its emotional content and musical elegance drift slowly into your blood-stream, intoxicating you without making you aware that you're under their influence. That's not saying, of course, that the record lacks vitality or life. The first track clearly shows otherwise. The Circus is one of Noel Brazil's exquisitely lyrical songs rendered with the enthusiasm that reinforces my belief that Mary has a particularly strong affinity with this writer's work. Although it's a classic tale of love gone wrong her performance isn't world-weary or maudlin. It certainly leaves you feeling far happier than the song's abandoned subject.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn A Dream provides both a dynamic and an emotional contrast, allowing Mary to voice sentiments of pure delight while the rhythm section shifts into a higher gear. Another of Noel Brazil's compositions, it shows that this gifted writer handles the lighter side of the human condition with the same dexterity he uses to portray its shadowy side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the wrong hands Jimmy McCarthy's Wonder Child could easily become one of those simpering lollipops that makes you want to trash your stereo. Mary's treatment, however, imbues the song with an affection and honesty that renders it touching and poignant. Its rudimentary arrangement contrasts with the more muscular treatment the band gives to Soul Sister in which Mary's voice dances between breathy whispers and the full throated roar of an evangelising soul queen. Carl Geraghty's plaintive tenor sax adds an appropriate authenticating touch to this acetylene fuelled torch song.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJohn Gorka's All That Hammering starts with a country feel but, unlike many songs of that ilk, it enjoys a lyrical deftness and perception that Mary exploits to the full. Afterwards, if you want proof that fusions of genres can work, Donegal Breeze shows that you can successfully blend elements of contemporary and roots music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Stone's Throw From The Soul sees Mary revelling in Noel Brazil's second upbeat contribution. Her commitment to the song is mirrored by the band's playing, particularly Declan Sinnott's perfectly synchronised acoustic and electric guitar interjections.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFree As Stone is one of those songs you can't put into any pigeon hole: it's essentially rootsy but what are that sitar drone and synth doing mixing in with a Celtic whistle? A less capable singer would certainly have trouble integrating with this hybrid arrangement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRoisin provides the final chance on this album to sample the Mary Black and Noel Brazil magic act. The chemistry really gels here with evocative Iyrics combining with an inspired delivery and a sumptuous arrangement. Again, you just know that nobody else could carry this song off as effectively as Mary Black and her band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLooking Forward and Gabriel are simply two beautifully crafted, uplifting songs that leave you feeling that God is in his heaven and everything in the world is okay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaven In The Storm is an unexpectedly fiery live cut that closes the album with a vivid resonance of classic hard rock. If Mary was listening to her Walkman before this performance my money says she was plugged in to the Hendrix version of All Along The Watchtower or the Stones' Sympathy For The Devil. The song careers along at drag strip velocity, which ought to assure you that after six albums she still has the energy and enthusiasm that fired her up the day she first started singing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe bottom line is that, like the albums that preceded it, Circus firmly consolidates Mary Black's position as one of the most talented and exciting performers in contemporary music.\u003c\/p\u003e\n\u003ch5\u003eReview by Malcom Steward\u003c\/h5\u003e\n\u003ch5\u003e\u003cem\u003eMalcolm Steward is an award-winning British hi-fi journalist, music critic and self-professed champion of home-grown musical talent. 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The Loving Time is another Brazil song, but this time that's darker hued, and more reflective. Nonetheless, Mary's sympathetic, effectual delivery of the lyrics brings out its underlying positive message.\u003cbr\u003e\u003cbr\u003eThere are two songs called The Holy Ground on this album, the first of which is a modern revoicing of a traditional songs, the second a new Gerry O'Beirne composition. Both show that while Mary has expanded her musical horizons she hasn't lost touch with her roots. Both songs remind you what a pleasure it is to hear Mary's voice with minimal accompaniment. However, John Gorka's Treasure Island, which separates these two songs presents a convincing defence for Declan Sinnott's more adventurous, contemporary arrangements. Then comes the cover of Sandy Denny's One Way Donkey Ride, another song that's effectively unadorned but, as we've come to expect from Mary and the band, no less chilling or potent.\u003cbr\u003e\u003cbr\u003eHowever, my vote for the album's high spot, goes to Dockland. For me, this song, with its electric, relaxed but rocky feel, comes together like no other. You can take it apart, scour its structure with a microscope and still not find one tiny element that isn't perfectly judged - Garvan Gallagher's insistent bass line, Declan Sinnott's tastefull, economic guitar, Carl Geraghty's ethereal sax, Pat Crowley's ever dependable piano, Dave Early's persuasive drumming and Frank Gallagher's carefully measured synth lines. Mary's confident, commanding singing matches the band's dynamic swings blow for blow, creating a wall of sound that's subtle but dauntingly mighty. The four-de-force performance does full justice to Noel Brazil's superbly crafted lyrics.\u003cbr\u003e\u003cbr\u003eSo has the Mary Black Band finally explored all possible directions now that its fifth album has nearly reached its conclusion? Poison Words, the closing song suggests not. Mary singing accompanied by Declan on acoustic guitar is nothing unusual but the contribution from the Vanbrugh String Quartet is. Their playing adds another fascinating - and entirely congruous - dimension to the song.\u003cbr\u003e\u003cbr\u003eIf you're looking for a one-word description to sum up this album, \"subtle\" is a strong contender. The drama and passion of The Holy Ground are often tucked away below its surface, They're not as immediatly apparent as they are in No Frontiers but they're there all the same, tugging your emotional trigger just as effectively.\u003c\/p\u003e\n\u003ch5\u003eBy Malcolm Steward\u003c\/h5\u003e\n\u003ch5\u003eMalcolm Steward is an award-winning British hi-fi journalist, music critic and self-professed champion of home-grown musical talent. 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The way in which the title track's delicate introduction gives way to Garvan Gallagher's positive statements on the bass tells you that for the next forty-two minutes your emotions are going on a thrills and spills roller coaster ride. As the song develops you can hear the determination growing in Mary's voice...\u003cbr\u003e\u003cbr\u003eMick Hanly's Past The Point Of Rescue winds up the tempo, its jaunty rhythm and melody lulling you into a false sense of security where you think that there's no real drama waiting round the corner. Then Donagh Long's The Shadow issues from the speakers, slamming on the rhythmic brakes, Mary's impassioned voice and Pat Crowley's piano threatening to loosen your grip on the safety rail.\u003cbr\u003e\u003cbr\u003eCarolina Rua plummets you quickly downhill, its light-hearted mien and pop-tinged melody bringing a smile of relief to your lips. It puts you back on an even keel for a mid-tempo cruise before you reach Jimmy McCarthy's Shuffle Of The Buckled. Now is the time to take a breath and enjoy some of his typical intricacy. Then the bombshell hits as Mary and her band drift into another of the live set's high spots, Noel Brazil's spine-tingling Columbus. This was the song that first brought Mary to my notice and I'll admit to a special, abiding affection for it. That doesn't, however, influence my opinion that this song and Mary's performance of it - live or on disc - are anything less than truly stunning. Garvan Gallagher's Clevinger bass line unsettles you physically by regulary plunging through the floor, sounding like a baritone wail from a wounded animal, while Mary's haunting vocal chills your emotions and senses by evoking fears that anyone might harbour. If we're using the roller coaster analogy, this song is the point in the ride where your stomach comes into your mouth. Disconcerting but delicious, dynamic and achingly beautiful, all at the same time.\u003cbr\u003e\u003cbr\u003eJimmy McCarthy's optimistic Another Day steadies you for a moment until you reach Fat Valley Of Pain, another striking, thought-provoking song that showcases Noel Brazil's poetic use of language. Mary's voice, as pure as ever, flirts with Declan's abrupt, choked guitar chords and the sinuous Garvan Gallagher bass line that roots this fragile song firmly to the ground.\u003cbr\u003e\u003cbr\u003eI Say A Little Prayer - yeah, the Aretha Franklin number - it this album's audacious cover and - no surprises - Mary handles it as though it had been written solely with her in mind. As she's done before, she takes a classic, leaves its integrity perfectly intact, yet brings to it her own, unique personalising touch. As elsewhere on this album, Declan Sinnott's flawless production allows the song limitless room the breathe.\u003cbr\u003e\u003cbr\u003eThe album closes in typically powerful style with a plaintive Thom Moore song The Fog In Monterey. The roller coaster ride is over and you're drifting in neutral, exhausted but exhilarated, back to the starting point. Anyone want to go round again?\u003c\/p\u003e\n\u003ch5\u003eBy Malcom Steward\u003c\/h5\u003e\n\u003ch5\u003eMalcolm Steward is an award-winning British hi-fi journalist, music critic and self-professed champion of home-grown musical talent. He finds it ironic that he first heard a Mary Black disc while at a convention in Chicago.\u003c\/h5\u003e","brand":"Dara Records","offers":[{"title":"Unsigned","offer_id":42304919863508,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304919896276,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/nofrontiersfrontcover.jpg?v=1643121892"},{"product_id":"mbalbum06","title":"Babes In The Wood","description":"\u003ch6\u003e1991 - DARACD 040 \u003c\/h6\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cp\u003eThis album opens on an up-tempo note with the Thom Moore song Still Believing, the first in perhaps the strongest collection of songs she had assembled within a single disc to date. Two Noel Brazil songs follow, Golden Mile and the title track, Babes In The Wood. Without wishing to denigrate the efforts of any of the talented coterie of writers who provide Mary with material, I reckon that a special synergy exists between her and Brazil. His songs, as Mary readily admits, are often extraordinarily challenging to sing, yet rather than approach them with hesitation she seems to find the challenge inspirational - remember Columbus from the previous disc?\u003cbr\u003e\u003cbr\u003eThe album's fifth track The Thorn Upon The Rose was released as the first single from Babes. Its lyrics are considered and poignant, and Mary's delivery is sublime, her conviction and measured, tender phrasing leaving the listener aching for the next line to unfold.\u003cbr\u003e\u003cbr\u003eThe effervescent Brand New Star, which follows, acts as a release for the tension created by the song before. An unadulterated celebration of simply living, its optimism is infectious. Use it as I do to kick start yourself into action on days when getting out of bed seems like too much trouble.\u003cbr\u003e\u003cbr\u003ePrayer For Love and Adam At The Window maintain the album's sanguine feel - every song so far has had an uplifting character and the feeling it imparts when you listen to reinforce Mary's assertion that she and the band really had a good time recording these songs.\u003cbr\u003e\u003cbr\u003eThe vinyl release of this album closes with a Noel Brazil composition Might As Well Be A Slave. Again, Mary is in take-no-prisoners mode, driving the lyrics home with no quarter given. The song and performance ensure that the album ends on a really high note. But if you're listening to the compact disc version there are still two songs to go...\u003cbr\u003e\u003cbr\u003e... including the \"difficult\" cover version - Joni Mitchell's sombre The Urge For Going. For five minutes and twenty-two seconds I guarantee that you'll think you've died and gone to heaven. As she's done before on other albums, she makes this song appear as though it were her own, every word coming straight from her heart. Full credit to the band for its sensitive playing and to Declan Sinnott for an arrangement that sets the mood for the song ideally. Cover versions rarely approach the quality and commitment of the original performance - particularly when it was given by the song's writer, in this instance a singer of no small status for whom I have the utmost respect. However, I'm not convinced that's an invariable rule. Dare I say that this version is better than the original? Yeah, no problem.\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cem\u003eBy Malcolm Steward\u003c\/em\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cem\u003eMalcolm Steward is an award-winning British hi-fi journalist, music critic and self-professed champion of home-grown musical talent. He finds it ironic that he first heard a Mary Black disc while at a convention in Chicago.\u003c\/em\u003e\u003c\/h5\u003e","brand":"Dara Records","offers":[{"title":"Unsigned","offer_id":42304919929044,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304919961812,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/babesinthewood.jpg?v=1643015343"},{"product_id":"mbalbum15","title":"Stories from the Steeples","description":"\u003ch6\u003e2011 - TUCD 024\u003c\/h6\u003e\n\u003cp\u003eThere is also a \u003ca href=\"https:\/\/shop.mary-black.net\/products\/mbalbum15se\"\u003eSpecial Edition\u003c\/a\u003e of this album with two additional bonus tracks.\u003c\/p\u003e","brand":"3ú","offers":[{"title":"Unsigned","offer_id":42304920060116,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304920092884,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/storiesfromthesteeplesfrontcoverbaseversion.jpg?v=1643123763"},{"product_id":"mbdtcrcd","title":"Down The Crooked Road The Soundtrack","description":"\u003ch6\u003e2014 - TUCD 035\u003c\/h6\u003e\n\u003cp\u003eAll of the songs on this album are referenced in one way or another in my autobiography Down The Crooked Road... they had a special meaning for me at some point in my life and so I thought this album would be a good companion to my autobiography; a sort of 'soundtrack' to my life story.\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eNote: The CD is also available together with the book for a special price, see the \u003ca href=\"https:\/\/shop.mary-black.net\/products\/mbdtcrcombopaperback\"\u003eDown the Crooked Road Book + CD Combo\u003c\/a\u003e\n\u003c\/h5\u003e","brand":"3ú","offers":[{"title":"Unsigned","offer_id":42304920322260,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304920355028,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/CDfrontcover.jpg?v=1642960373"},{"product_id":"mbalbum02","title":"Collected","description":"\u003ch6\u003e1984 - DARACD 010\u003c\/h6\u003e\nA selection of songs that Mary recorded during her time with General Humbert and De Dannan extended with some of her favourite traditional songs.","brand":"Dara Records","offers":[{"title":"Unsigned","offer_id":42304920649940,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true},{"title":"Signed by Mary","offer_id":42304920682708,"sku":"","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/0310\/9332\/products\/collectedfrontcover.jpg?v=1643365384"}],"url":"https:\/\/shop.mary-black.net\/collections\/sale-buy-2-get-1-free.oembed?page=2","provider":"Mary Black Merchandising","version":"1.0","type":"link"}